Huit carrés rouges

In this piece, I explore a minimalist language that can be likened to abstract art: surfaces, volumes, lines, curves, freed from any connotation, yet capable of generating dynamism and vitality. By rejecting subjectivity and focusing more on sensations than emotions, elementary shapes and smooth colors remain silent in the face of our human anxieties. Suspended, they turn, bend, and overlap. In their mysterious language, they make us feel space and time. While writing this piece, I think about how, in architecture, the choices of dimensions, proportions, materials, and textures condition the way we experience a space and create striking sensory experiences