Lectures

Name: Lectures
SKU: ISMN 979-0-56025-059-5
Availability: InStock

Composer(s) : DACHEZ Christian

Genres : Musique Vocale, Choeur, Women's Choir Instruments : harp, Horn

Ref : ISMN 979-0-56025-059-5

Score duration : 11'15''

Type : partition

Edition : Artchipel

Creation date :

Dec

2010

PDF version:11,20 €
Paper version: 22,40 €

The women’s choir is made up of 3 soprani, 3 mezzo-soprani and 3 alti. Lectures is to be sung as one speaks. The word calls forth the sound that refers to the verb, the music being no more than an outgrowth of the text.

Christian Dachez

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Weight	0,350 kg
Dimensions	32 × 24 × 0,5 cm
Support	PDF, Papier

Score
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REIBEL Guy
Type : Score
Instrument : piano, Solos
Special offer 45€ instead of 56€ for the purchase of all 4 volumes.
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Score
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REIBEL Guy
Type : Score
Instrument : piano, Solos
The piano, a symmetrical body of sound a new look at the instrument The piano is the benchmark instrument for musicians. With its perfect mechanics, exact tuning, melodic and harmonic interplay, the ability to play every conceivable chord, and almost infinite range, it is a perfect instrument, the culmination of hundreds of years of evolution, for which countless works have been written, culminating in the 19th century and a prodigious progression in virtuosity. The instrument has conquered the planet, and is universally used in all musical genres. Its tempered keyboard seems to fix the musical scale forever, bringing music to a kind of “terminus”. What’s more, its keyboard configuration is totally adapted to tonal music, and since the twentieth century, composers have had to trick their way out of tonal language.

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Type : Books
Why write a book about Gustav Mahler in 2016?
Aren’t the biographical works that have been published for decades enough for anyone wanting answers? Of course they are! Scientific answers on dates, historical elements or testimonies. But what about the spiritual significance? For if ever there was a composer whose work poured out his whole soul, it’s Gustav Mahler. To embrace his legacy, then, we must venture inside him, where history can only support us, where words give way to the simple human emotions that one man can imagine for another. And that’s the choice we’ve made. To propose a new approach, at once rapid, direct and immersive. Mahler the legend has ousted Mahler the man, the simple, the fragile. Before becoming a musical hero, he was Gustav. Simply Gustav. A dreamy, stubborn little boy, battered by life and clinging to an ideal, an artistic dream through which he hoped to open the gates to eternal life.
Writing a book in 2016 means getting as close as possible to this little boy, observing him even more than the giant he was to become. To immerse the reader in his direct environment, rather than in the historical context of his time. It also means trying to answer some intimate questions. How did Gustav become Mahler? How did the two of them live together during their short lives? Why does his music move us so much, speak to us so much, even when he has deliberately deprived it of words?
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Lectures

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