L’Enchanteur

Name: L'Enchanteur
SKU: ISMN 979-0-56025-629-0
Availability: InStock

Composer(s): HALIMI Inès

Genres: Duos Instruments: piano, double bass

Ref: ISMN 979-0-56025-629-0

Score duration: 3'

Type: conducteur et partie séparée

Publisher: Artchipel

Publication date:

Apr

2022

PDF version:7,00 €
Paper version: 14,00 €

What if the double bass could also sing?
I wanted to offer my apprentice double bass students (2nd cycle level) a colorful, singing piece. Right from the start, the double bass sings at the top of its range, and the piano responds. Like two protagonists, the instruments build a dialogue that sweeps us along in the same momentum.
The title, L’Enchanteur, was inspired by the famous short film The Sorcerer’s Apprentice, in which Mickey is seen dancing his broomsticks: I remembered it as flamboyantly dreamlike!
Stimulating young students through dreams, while appealing to their imagination, was a major source of motivation in composing this piece.
This pedagogical work is also intended for professional double bassists, curious to discover a repertoire that explores the full range of the instrument’s potential.
repertoire that explores the full range of their instrument.
Inès Halimi

Description

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Additional information

Weight	0,400 kg
Dimensions	32 × 24 × 0,3 cm
Support	PDF, Papier

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Type: Score
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Score
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REIBEL Guy
Type: Score
Instrument: piano, Solos
The piano, a symmetrical body of sound a new look at the instrument The piano is the benchmark instrument for musicians. With its perfect mechanics, exact tuning, melodic and harmonic interplay, the ability to play every conceivable chord, and almost infinite range, it is a perfect instrument, the culmination of hundreds of years of evolution, for which countless works have been written, culminating in the 19th century and a prodigious progression in virtuosity. The instrument has conquered the planet, and is universally used in all musical genres. Its tempered keyboard seems to fix the musical scale forever, bringing music to a kind of “terminus”. What’s more, its keyboard configuration is totally adapted to tonal music, and since the twentieth century, composers have had to trick their way out of tonal language.

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Type: Books
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