Archives of this auteur: Agence Glanum

Création

20 April 2013

Une Carte du tendre de Benoît Menutpour chœur de chambre & flûte Festival Cantus Formus, Auditorium du CRR de Paris, 20h par l’ensemble Apostroph’, dir. France de la Hamelinaye

Création mondiale

23 March 2013

Création du trio Les Allées sombres de Benoît Menut pour violon, violoncelle & piano Hôtel de Soubise, Paris Trio Karenine

Chemins éclatés – Création mondiale

23 March 2013

Création de Chemins éclatés de Christian Dachez pour saxophone & accordéon Festival Bouteille en bretelles, Bourg Saint Andéol (07) par Marie-Andrée Joerger & Philippe Koerper

Reprises

23 March 2013

Reprises d’Orémus et de Les mots d’après de Christian Dachez Festival Marais Chrétien, Eglise Saint-André de l’Europe et Saint-Séverin les 23 et 24 mars 2013 par l’ensemble Impronta et Fanny […]

Création

19 March 2013

L’année du daim pour orchestre de Benoît Menutsur un film d’animation réalisé par Georges Schwitzgebel Annemasse (74), Château Rouge, 19 mars, 19h30 Saint-Jean-de-Maurienne, Salle des Chaudannes, 22 mars, 20h30 Saint-Marcelin […]

Création mondiale

17 March 2013

Création de In O carna pour ensemble de cuivres de Benjamin Garzia Saint-Louis (68), Théâtre de la Coupole, 16h Ensemble Geca-Brass

Orémus – Création mondiale

17 March 2013

Création de Orémus de Christian Dachez pour saxhorn baryton, accordéon & quintette de cordes Saint-Joseph, Mannheim, 17 mars 2013 Ensemble Impronta et Fanny Vicens, dir. Andréas Luca Beraldo

Création mondiale

10 March 2013

Création du quatuor à cordes Om EgapE de Benjamin Garzia Ostwald, Point d’eau Quatuor Amalgammes

Création française

11 February 2013

Création française de Esquisse 2: Ewigkeit de David Hudrypour flûte, clarinette, vibraphone, piano, violon & violoncelleMairie du 17ème arrondissement, Paris, 20h

Création

2 February 2013

Ys de Benoît Menut, pour saxophone alto & pianoAuditorium du Grand Nord – Mayenne par Ronan Baudry et Romain Hervé

Score
Le Piano Symétrique (volumes 1, 2, 3 & 4)
REIBEL Guy
Type: Score
Instrument: Solos, piano
Special offer 45€ instead of 56€ for the purchase of all 4 volumes.
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Score
Le Piano Symétrique (volumes 1 ,2 & 3)
REIBEL Guy
Type: Score
Instrument: piano, Solos
The piano, a symmetrical body of sound a new look at the instrument The piano is the benchmark instrument for musicians. With its perfect mechanics, exact tuning, melodic and harmonic interplay, the ability to play every conceivable chord, and almost infinite range, it is a perfect instrument, the culmination of hundreds of years of evolution, for which countless works have been written, culminating in the 19th century and a prodigious progression in virtuosity. The instrument has conquered the planet, and is universally used in all musical genres. Its tempered keyboard seems to fix the musical scale forever, bringing music to a kind of “terminus”. What’s more, its keyboard configuration is totally adapted to tonal music, and since the twentieth century, composers have had to trick their way out of tonal language.

I propose an approach in which we strive to forget the glorious history of the piano, its repertoire and all the playing habits that are linked to its habitual practice. A vast program, undertaken with modesty but conviction. Indeed, if we forget everything and look at this instrument like a Martian accidentally landing on Earth, it presents itself as a body of sound offering visual symmetry starting from the center (C – D ), with white keys regularly arranged on both sides, but perfect symmetry in the succession of white and black keys on either side of this center. If, on the other hand, we observe that our two hands placed flat on a table are also symmetrical, with the two thumbs facing each other, the first idea is not to set up a scale with both hands playing in parallel (the left hand linking the sounds starting with the little finger, the right with the thumb), as this way of playing is less spontaneous than playing in mirror, with both hands using the same fingering. If you apply this symmetrical playing style to both hands, the playing is much more natural and easier for a beginner, and produces musical results that may be disconcerting at first, but are astonishingly rich, eliminating the many clichés, and discover a wide variety of melodic and harmonic modes developed in contemporary music since Debussy and Messiaen, in particular the chromatic mode, the tonal scale, mode 2, the acoustic mode and all the more well-known plainchant modes (D, E, F, G, A). The door is open to new adventures with very direct access. This is the experiment conducted at the École de Musique de Colomiers with Marc Jamond, Director, teachers Catherine Gérin, Pascale Monteil, Ruth Atienza Platon and their students, to whom this series of notebooks is dedicated.
Guy Reibel
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Archives of this auteur: Agence Glanum

Création

Création mondiale

Chemins éclatés – Création mondiale

Reprises

Création

Création mondiale

Orémus – Création mondiale

Création mondiale

Création française

Création

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