Omaggio Henri Dutilleux

Name: Omaggio Henri Dutilleux
SKU: ISMN 979-0-56025-260-5
Availability: InStock

Composer(s): SCHŒLLER Philippe

Genres: Solos Instruments: cello

Ref: ISMN 979-0-56025-260-5

Score duration: 7'

PDF version:5,50 €
Paper version: 11,00 €

Henri Dutilleux’s personality, both artistic and human, was for me one of nobility
and high intelligence of the heart. A very high symbol whom I had the good fortune to work alongside. He brought me so much.
This work aspires to bear witness to these fundamental values at the heart of artistic creation; the fertile future lies in the pursuit and sensitive intelligence of our roots, of tradition: inventing a whole world that speaks of musical invention as an ageless given.
Here, the cello is radiant, vibrating subtly and energetically towards profoundly expressive regions. The breath of this age-old instrument opens up such a vast field.
From the precise delicacy of the moment to the high virtuoso energy inherent in the very nature of its construction, its organic make-up: this instrument is the very symbol of the music of the brilliant artist Henri Dutilleux.
Wood, horsehair, taut strings, one man, his masterly gesture and his living energy
playing without artifice; thus the cello, this instrument, built from these materials
wood, horsehair and metal, yet makes sound like a singing body, a lyrical and profound line, a metaphor for the highest and noblest musical entity: the human voice.

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Weight	0,3 kg
Dimensions	29,7 × 42 cm
Support	PDF, Papier

Score
Le Piano Symétrique (volumes 1, 2, 3 & 4)
REIBEL Guy
Type: Score
Instrument: piano, Solos
Special offer 45€ instead of 56€ for the purchase of all 4 volumes.
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Pedagogy
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Type: Pedagogy
Instrument: Solos, piano
The piano, a symmetrical body of sound a new look at the instrument The piano is the benchmark instrument for musicians. With its perfect mechanics, exact tuning, melodic and harmonic interplay, the ability to play every conceivable chord, and almost infinite range, it is a perfect instrument, the culmination of hundreds of years of evolution, for which countless works have been written, culminating in the 19th century and a prodigious progression in virtuosity. The instrument has conquered the planet, and is universally used in all musical genres. Its tempered keyboard seems to fix the musical scale forever, bringing music to a kind of “terminus”. What’s more, its keyboard configuration is totally adapted to tonal music, and since the twentieth century, composers have had to trick their way out of tonal language.

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L’instrument dont jouait l’univers
GARZIA Benjamin
Type: Books
Why write a book about Gustav Mahler in 2016?
Aren’t the biographical works that have been published for decades enough for anyone wanting answers? Of course they are! Scientific answers on dates, historical elements or testimonies. But what about the spiritual significance? For if ever there was a composer whose work poured out his whole soul, it’s Gustav Mahler. To embrace his legacy, then, we must venture inside him, where history can only support us, where words give way to the simple human emotions that one man can imagine for another. And that’s the choice we’ve made. To propose a new approach, at once rapid, direct and immersive. Mahler the legend has ousted Mahler the man, the simple, the fragile. Before becoming a musical hero, he was Gustav. Simply Gustav. A dreamy, stubborn little boy, battered by life and clinging to an ideal, an artistic dream through which he hoped to open the gates to eternal life.
Writing a book in 2016 means getting as close as possible to this little boy, observing him even more than the giant he was to become. To immerse the reader in his direct environment, rather than in the historical context of his time. It also means trying to answer some intimate questions. How did Gustav become Mahler? How did the two of them live together during their short lives? Why does his music move us so much, speak to us so much, even when he has deliberately deprived it of words?
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Omaggio Henri Dutilleux

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