Description
ACHENBERG David
AGOBET Jean-Louis
ARANGO-PRADA Daniel
BESINGRAND Jean-Patrick
BORDALEJO Tomás
BRAUD Augustin
BURIAN Peter
BUTIN Patrick
CALMEL Olivier
CARREÑO Juan Pablo
CHAMOUARD Philippe
CHAYNES Charles
CHIRIACOPOL Epaminondas
CHÉPÉLOV Pierre
COULAIS Bruno
COVATTI-DUSSAUT Hélène
DACHEZ Christian
DEBUSSY Claude
DUBOIS Lancelot
DUMONT Aurélien
DUSSAUT Robert
FARHANG Alireza
FEREZ Fabrice
FERRARIS Paul
FINZI Graciane
FUSTÉ-LAMBEZAT Michel
GARZIA Benjamin
GASPAROV Alexandre
GIRAUD Suzanne
GOUNOD Charles
GREIF Olivier
HALIMI Inès
HERSANT Philippe
HEUTE Lisa
HUDRY David
ISHIDA Sanae
KREMSKI Alain
LACAZE Sophie
LEIBOWITZ René
LELOUP Samuel
MASSOT Olivier
MAZÉ Philippe
MAŘATKA Kryštof
MENUT Benoît
MEÏMOUN François
MODARRESIFAR Farnaz
NICOLAY Stephan
PENARD Olivier
PETITGIRARD Laurent
PETROSSIAN Michel
POPINEAU François
REIBEL Guy
ROLLAND Grégoire
SCHŒLLER Philippe
SIVAK Gabriel
SOGNY Michel
SUESSE Dana
TRIPLET Célia
TROLLET Vincent
VALLET-TESSIER François
VIEUXTEMPS Henri
VUILLERMET Thibaut
WATANABE Rikako
YSAYE Eugène
Some of the composers published by Éditions Musicales Artchipel are already internationally renowned. Others have yet to be discovered by lovers of contemporary music. We strive to make their music known so that it can enrich the heritage of contemporary music
15
Dec
2019
19
Aug
2019
28,00 €
This piece finds its origine in the commission of the Concours International de violoncelle Louis Rosoor 2019, received in June 2018: the aim was to highlight, through a short composition, the cello, supported by an auxiliary instrument, here the baritone saxophone. A fewdays before, I had the opportunity to discover the beautiful exhibition L’espace est silence dedicated to painter
Zao Wou-Ki at the Musée d’Art Moderne de la ville de Paris.
Texture relationships and mixtures created by Wou-Ki show an demanding but also instinctive thinking; trying to convey both of these notions that may seem antithetical is one of my principal questionnements, and I constantly try to find the appropriate level of control during the writing process, without restricting the primal gesture.
Here, it was all about making the two instruments work together without erasing the cello’s individuality and reducing the saxophone to a simple accompanist.
I hope that the Concours Louis Rosoor’s candidates will find pleasure through the learning process of this piece, where the silence is only perturbed by their own gestures, attempts to appropriate themselves a space in expansion.
Augustin Braud
Weight | 0,450 kg |
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Dimensions | 35,4 × 25,7 × 2 cm |